Week of…
2026
Week Of: Prophecy (sold)
8”x10”
Red Conte on paper
We make plans for our lives, thinking we know the direction. But sometimes those plans lead us away from what we’re meant to experience.
This work sits in that unraveling.
The figure reflects a kind of personal derailment—a shift from control into something more instinctive.
Bisara, who once arrived weak and unwell, now moves through the world with strength and defiance.
A quiet reminder that what falls apart can still lead us somewhere true.
Week Of: Dancers & Dreamers (sold)
8”x10”
Red Conte on paper
Week Of: Bad Babies
8”x10”
Red Conte on paper
This drawing is a homage to Lisa Yuskavage and her refusal to make work that behaves. In the early 90s, she set a course that challenged expectation and made space for a different kind of voice—one that didn’t ask for permission.
This piece sits in that spirit.
It’s about not staying silent. About allowing defiance to exist, especially as a woman—within the work and beyond it.
Week Of: The Seeker (sold)
8”x10”
Red Conte on paper
Being a seeker means not settling. Not for easy answers, not for softened truths.
We move through a world where truth can feel like a spectrum—bent to protect, or to manipulate. But I’ve come to understand that avoiding it only delays what we have to face.
The truth may hurt once, but a lie lingers.
This work reflects a commitment to staying honest—with the world, and with myself.
Week of youth & ease
8”x10”
Red Conte on paper
Inspired by artists who never shy away when it comes to the figure—Namio Harukawa, Robert Crumb, and John Currin. Each of them exaggerated and distorted the body to explore power, desire, humor, and unease, allowing the figure to exist in excess rather than restraint.
approaching the female form from my own position—as a woman looking slowly, deliberately. I was interested in weight, softness, appetite, and confidence, not idealization. This drawing leans into pleasure and presence: a body aware of itself, comfortable taking up space, and fully at ease in its own gravity..
Week of Enigma
8"x 10"
Red conte on paper
The word caricature comes from the Italian carico ("to load") and caricare ("to exaggerate"). It dates back to the 1590s, when the Carracci brothers-Agostino and Annibale-used it to describe playful pen drawings of exaggerated human heads, often shown in profile and lined up to show how features were pushed further and further.
The kind of caricature we recognize today is often credited to Gian Lorenzo Bernini. He was one of the first to exaggerate the features of real, recognizable people, turning satire into a strange kind of compliment. Kind of like a celebrity roast-if you were caricatured, it meant you were important enough to be noticed. - Henry Adams.
Week of Spirit (sold)
8”x10”
Red conte on paper
To speak fully about the horse in art and history would take far more than an IG post. Across time, the horse has carried our fears, desires, labor, power, and longing for freedom. It has been painted on cave walls, ridden into battle, honored in ritual, and mythologized again and again.
Years ago, I had a horse of my own. Living alongside that quiet strength changed the way I see these images. The horse stopped being a symbol and became a presence—breath, weight, trust. Something shared. What remains for me now is not the history alone, but the feeling of connection that continues to move through the work.
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